The Boom Box Post blog provides insights into the creative sound design process of Boom Box Post's owners and employees.
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advice
Do you typically arrange your plugins and windows in a specific way for your editorial and mixing work? What if your window layout loaded up the same every time opposed to requiring you to reconfigure from scratch? Let’s break down how to take advantage of Pro Tools Window Configurations!
In June of this year, Pro Tools released an update that caught my attention. Version 2025.6 features “Speech to Text,” a new AI-driven technology that seems to have the potential to be a leap forward in how we handle dialogue in post production sound. I know, just the mention of AI can be scary for all of us - trust me, I get the concerns. But I do firmly believe that when used solely as a tool, there may be some very helpful applications for AI in our workflow. Is Speech to Text a game changer feature for Pro Tools? I decided to give it a try.
Every productive day starts with the right mindset—and the right snacks. Long days of editing, mixing, and sound designing can’t run on caffeine alone! Here’s a peek at the snack lineup that powers the Boom Box team through long mixes, heavy editorial and the occasional plugin crash.
Building out your studio desk and workspace can become very expensive. But not every upgrade has to break the bank. Sometimes it’s the small, thoughtful additions that end up having the biggest impact on your workflow, comfort, and overall studio vibe. Here are five wallet-friendly upgrades you can make to your home or professional studio that make an impact without hurting your wallet (too much).
The average American spends 8.5 hours a day working. That’s 42.5 hours a week, and a whopping 2,210 hours every year! If, like me your job ties you to a desk, that space is probably the only place other than your bed in which you’ll spend nearly that much time. But how many of us give any consideration to how the space is set up? Or how we position ourselves at that desk? Here’s a basic checklist for you to run down in order to optimize your workspace, and in turn, your overall wellbeing and health.
A re-recording mixer possesses many technical skills. Here at Boom Box Post, we’ve covered the subject in countless posts. But outside of the technical realm, what other skills are useful on the job? Here are my top 10.
We are all familiar with the saying, “You learn something new everyday!” Well, in hopes that we can all continue to learn and grow together, I would like to share with you a few super simple workflow “hacks” that had me questioning, “How did I not know this before!?”
One of our most popular blog series is Glossary of Sound Effects, of which we have done 3 parts. On the original post, we get a ton of questions asking what keywords should be used when trying to find very specific sounds. I decided to relay a few of these questions to our editorial team. I’m very curious what buzzwords they will recommend.
Boom Box Post turned 6 at the end of August and over these 6 years we have written a handful of blog posts. For both our new and OG readers, we thought it would be helpful to round up a list of posts that feature free resources. During this turbulent time of COVID-19, we definitely recommend taking advantage of these awesome tools!
Over the past few months, I have come across a number of google chrome extensions that have really improved my daily workflow. In this post I want to spotlight 5 of these chrome extensions in hopes that they can help you stay organized and productive during this time of mayhem.
I spent about five years working from home as a sound editor. In terms of life/work balance, they were some of the best years of my career. But thriving as a work from home freelancer isn’t easy. I’d like to share with you some of the best strategies and tips that helped me make the best of it.
We all have technical difficulties from time to time, especially when using software are intricate as ProTools. But, after years of making what seems like every mistake in the book, hanging out on Avid DUC, and stalking Gearslutz.com, I pride myself in my ability to overhear frantic technical freakouts and supply solid advice on the best course of action. Here are a few of the problems I see most often, and and how to get through them while salvaging as much of your work and sanity as possible.
The entertainment industry can be tough. There are many cliche's, such as "It's all about who you know" or "It's all about right place right time." Neither of which are entirely untrue. However, I am a firm believer that anyone with some raw talent and a whole lot of drive can build themselves a career in post production sound - or any entertainment job for that matter.
If I'm making it sound easy, my apologies. It's absolutely a ton of work. Let me repeat that: getting a job in a highly specialized, creative industry where you are in competition with literally thousands of applicants will always be a ton of work. So why do it?
