WRITTEN BY Logan Romjue

Dialogue Editor, BOOM BOX POST

Dialogue editing is an essential part of the post-production process for animated TV shows, and one we take very seriously at Boom Box Post! Clear, crisp, organized, and coherent dialogue is the bedrock of any TV show. Meticulously shaping, enhancing, and cleaning up the voice performances does wonders to breathe life into the characters as well as streamline the mixing process. So what exactly is involved in the day to day work of an animation dialogue editor? Here are the key tasks involved.

Understanding the Script and Storytelling

The first step in dialogue editing is to thoroughly understand the script and storytelling goals of the show. This understanding enables the dialogue editor to anticipate the pacing, emotional nuances, and overall flow of the dialogue. By immersing themselves in the narrative, dialogue editors can effectively shape the conversations to enhance the story's impact.

Cleaning and Enhancing Dialogue Recordings

Dialogue recordings are rarely perfect, even with the best voice actors in great recording studios. Dialogue editors have the crucial task of cleaning up the recordings by removing background noise, clicks, pops, and any other unwanted artifacts. They also normalize the audio levels, ensuring consistency across different scenes and characters. Additionally, dialogue editors can use programs like iZotope RX to fine-tune any details to make the dialogue sound natural and cohesive.

Lip-Sync and Timing

In animated TV shows, the dialogue needs to match the character's lip movements. The majority of the time the characters have already been animated, and it’s up to the dialogue editor to adjust the dialogue to match final picture. This could mean anything from simply moving the line a few frames, to removing breaths and closing the gap between lines, or to time compressing a whole line or a single word. The animation workflow also allows for ADR (Automated Dialogue Replacement), in which actors will record new takes or additional material after animation is complete. Unlike production dialogue (original dialogue recordings), since ADR was not part of the materials referenced when creating the original animation, it is especially important that the dialogue editor put care into making these recordings work with picture. All of this falls under the umbrella of the most essential skill set, creating excellent lip-sync. Ensuring precise synchronization helps create a seamless viewing experience and enhances the overall believability of the characters' interactions.

Balancing Multiple Characters and Perspectives

Animated TV shows often involve a large cast of characters, each with their distinct personalities, accents, vocal characteristics, and potential processing. A large portion of the job of a dialogue editor is to have a meticulously organized session, making sure every character is on the right track so that the mixer can eventually process and route the show the way they need to. Additionally, the dialogue needs to be cut for perspective, meaning that if a character runs off to the right of the screen, and the next shot has them front and center, the clip needs to be cut on the frame change so that the mixer has the flexibility to pan it.

Dialogue editing requires a deep understanding of the script, attention to detail, and technical expertise. By effectively cleaning and enhancing dialogue recordings, synchronizing lip movements, emphasizing clarity and intelligibility, balancing multiple characters, and amplifying emotional impact, dialogue editors play a crucial role in creating captivating animated TV shows.


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