Viewing entries tagged
sound studio

Non-Creative Processing For Mixer-Friendly Editorial

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Non-Creative Processing For Mixer-Friendly Editorial

As sound editors, it's crucial that we approach our edits with the mixer's needs in mind. In previous posts we’ve covered how to deliver clean, organized edits to help streamline the mixing stage. But what about processing to remove additional steps for our mixer? In this post, I’ll share simple but effective techniques to tidy up your sound editorial without causing a headache for the mixer down the line.

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Reversing Sounds For Creative Design

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Reversing Sounds For Creative Design

With a seemingly limitless number of plugins at our fingertips today, it's easy for the most rudimentary tools to go under appreciated. Among the Avid stock plugins, one of THE most frequently used, yet lesser discussed is the 'Reverse' AudioSuite. This tool is as simple as they come, but what it lacks in bells and whistles it makes up for in creative potential. Today I thought I'd discuss a few ways I like to use it and demonstrate with examples.

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How To Use Markers For Sound Effects Editorial

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How To Use Markers For Sound Effects Editorial

I’m addicted to markers. They help me organize, plan, and stay on schedule every episode I work on. They also serve as a visual reward where you can see the progress you’re making as you delete markers as you go. In this blog post I’ll give you some tips and tricks on how to use markers to your advantage, and give you some ideas on how it may fit into your workflow.

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HALLOWEEN SOUNDTRACK: SLASHER IN THE WOODS

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HALLOWEEN SOUNDTRACK: SLASHER IN THE WOODS

Picking up where Kate left off back in 2015, I decided to try my hand at crafting a soundtrack that evoked the spirit of slasher movies! Including all the cliche hits like chainsaws, blood curdling screams, jump-scares and spooky forests. Take a listen!

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"Hollywood Game Changers" Panel at San Diego Comic-Con with Kate Finan

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"Hollywood Game Changers" Panel at San Diego Comic-Con with Kate Finan

This year, I was invited to be on Impact24’s 5th Annual “Hollywood Game Changers: A Conversation with the Women Behind Popular Film and TV Projects” panel at San Diego Comic Con. I was humbled to be joined by other amazing women from across the entertainment industry, such as Ashleigh Hairston, EP/Voice Actor on Nickelodeon’s The Fairly Odd Parents: A New Wish; Joy Ngiaw, composer for WondLa, Skydance’s epic new animated series; KC Cavarozzi, Co-Founder of On Camera Audiences, and more.

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What's New at Boom Box Post: Summer Edition 2024

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What's New at Boom Box Post: Summer Edition 2024

We are ecstatic to announce that our sound design and mixes can now be heard on a number of new series, new seasons, and features! Here is a curated list of our spring and summer releases. Click on the links below to stream and let us know if you enjoy them!

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How To Cold Call A Company: Tips and Tricks

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How To Cold Call A Company: Tips and Tricks

Cold calling a company can be intimidating and daunting. However, as you look for your first job out of school, or a new job, it is often necessary. As the Boom Box Post Office Administrator, I answer all kinds of phone calls and some leave bigger, better impressions than others. I hope to give you some real world advice to help you move your call past the receptionist and onto the next level by leaving a positive impression.

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Invincible Coverage Digest

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Invincible Coverage Digest

We were recently interviewed by multiple publications about Invincible Season 2 including Post Magazine, Tonebenders Podcast, and SFX Magazine! We are always thrilled when a show that we have worked on gets the light that it deserves and we love to share the behind the scenes post-sound process.

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Music Mixing Basics for TV & Film: Diegetic Music

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Music Mixing Basics for TV & Film: Diegetic Music

One of my favorite aspects of sound mixing is building up the ambient sound in the universe of each show and sculpting it all together into a cohesive sonic world. Diegetic music is one piece of the soundscape puzzle that is often misunderstood by new editors and mixers.  Diegetic means that the element exists within the world of the characters, and is able to be heard or seen by them.  This contrasts with the non-diegetic musical score, which exists outside of their world and is not heard by them.

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Layering Sound Effects: How and Why?

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Layering Sound Effects: How and Why?

It’s very rare that a sound editor will cut in a single sound effect to match a visual on screen. Usually, we’re layering multiple effects together to create something new. Why do we do this? Because the result is usually something more rich and interesting than a single effect by itself. But layering can be unnecessary and frustrating for your mixer if you don’t do it with purpose. I’d like to talk about the right and wrong ways to layer sound effects to get the most out of your editorial.

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What's New at Boom Box Post: Winter Edition

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What's New at Boom Box Post: Winter Edition

Over the course of this winter, Boom Box Post has diligently worked on a number of new shows and special projects. We are proud to announce that two feature films that we worked on are now streaming! They were both a blast to sound design and mix, and we are incredibly excited to be able to share them with the world!

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