We are so proud of our clients who have been nominated for a GLAAD Award! The GLAAD Media Awards is the most visible annual LGBTQ awards show in the world, sending powerful messages of acceptance to audiences globally.
Viewing entries tagged
sound effects
Last summer I found myself with a little extra time on my hands and a big idea. Coming on the heels of an original Boom Box Library offering, “Magic Chimes,” which I recorded back in 2021, I wanted to expand on the idea of an all encompassing percussion library. I received classical training as a percussionist at the Indiana University School of Music (now the Jacobs School). We would spend hours in master classes focused on one instrument, perfecting for example, the ideal triangle performance. Hours. On the triangle. Needless to say, I felt qualified for the task. Here’s my chance to revisit those roots and put together something really special.
We are honored to have been nominated for one Golden Reel Awards for 2023!
Transformers: Earthspark: “Security Protocols”"
OUTSTANDING ACHIEVEMENT IN SOUND EDITING – BROADCAST ANIMATION
We are honored to have been nominated for three Children’s and Family Emmy Awards for 2023!
“Rise of the Teenage Mutant Ninja Turtles: The Movie”
Sound Mixing and Sound Editing For An Animated Program
“Santiago of the Seas”
Sound Mixing and Sound Editing For A Preschool Animated Program
“Waffles + Mochi’s Restaurant”
Sound Mixing and Sound Editing For A Live Action Program
![Death by [Sound Effect]: A Halloween Sound Design Challenge Part 2](https://images.squarespace-cdn.com/content/v1/54813413e4b0034aade3a0bc/1696292819748-VS7VWLU2IR3EBJ71HYAB/image-asset.jpeg)
To celebrate Halloween in a gruesome style, we decided to do part two of: Death by Sound Effect. We came up with a cause of death and put our editors to the task to create a gross, gruesome sound build. Let’s see what they came up with!
Last year, we published two blogs that listed classic cartoon sound effects and the emotion they convey to the audience. In those posts, we outlined the toony sounds we associate with happiness, anger, sadness, humor, scared, disgust, love, and boredom. Toon sound effects have been provoking emotion for decades. With so many classic toon sounds to choose from, how does one know which to use? Our hope is these blog posts help those stuck in their sound editorial from having to sift through their entire sound library looking for the perfect sound. You can read part one HERE and part two HERE!
I am currently knee-deep into recording an extremely comprehensive auxiliary percussion library for Boomboxlibrary.com. The idea is to produce pristine recordings which we (and other sound editors) can use as source material for new creative sound design.
As the recordings pile up (and I procrastinate having to edit them all) I have been playing around with some of them, just to see if my hunch was correct; that these would help me create great cartoon sound effects that are high quality and new but harken back to the classic Hanna Barbera sounds we all know so well.
As many of you know, in 2017, we branched out from our post-production sound business, Boom Box Post, to start Boom Box Library. BBL (as we call it around here) is a sound effect library company which allows us to share our sound design work with other professionals, and also contribute to the creativity of our community members with custom-recorded libraries that we feel fill a void in basic materials. In short, our award-winning sound designers are creating sound libraries that we ourselves want to use.
For many of you who freelance or have unpredictable schedules, adding library creation to your business ventures could be just the thing you need. But, while recording or designing the sounds may be totally in your wheelhouse, there are a lot of other things that go into being able to sell your libraries. And that’s the end goal, right?
We are honored to have been nominated for two Motion Picture Sound Editors 2023 Golden Reel awards!
“Rise of the Teenage Mutant Ninja Turtles: The Movie”
Outstanding Achievement in Sound Editing – Non-theatrical Animation
“Transformers Earthspark” -
Outstanding Achievement in Sound Editing – Broadcast Animation
We thought this would be a great opportunity to share some stories behind the sound editorial on these two fantastic projects via interviews with Supervising Sound Editors Jeff Shiffman and Brad Meyer.
At Boom Box Post, since we focus in sound for animation, I thought it would be helpful to create a list of classic toon sound effects and the emotion typically associated with them. In this post, we will be focusing on the following: happiness, anger, sadness, and humor.
We have dozens of blog posts on how you can level up your sound editorial game. This post is intended to go beyond the basics - making sure you color code you work, cut for perspective, etc. This isn't about missing deadlines or forgetting to clean up markers in your session before turning in your work. These are mistakes that even seasoned sound editors make all the time. Avoiding these seemingly small mistakes could make a big difference in how you are perceived by your supervisors and those mixing your work.
Over at our other company, Boom Box Library, we recently released “Magic Chimes,” a library of mark tree and bell tree recordings for sound design and music applications. The library has been a big success thus far, clearly filling a need in the sound library community. Creating it from scratch was very fun, so I thought it would be interesting to share the process with you.
Quiz time!!! Don’t worry…there’s no need to stress out about it. We haven’t done a sound quiz in awhile and we know how much you guys love these so we figured why not!? If you haven’t checked out any of our sound quizzes thus far, we are putting some links at the bottom of this blog. Enjoy!
As a mixer, I see all kinds of issues cropping up that originated in sound editorial. And with my background in sound editorial, I’ve surely committed every one of them myself at some point. Here’s a list of some common problems we see on the mix stage. Avoiding these problems will not only make your work easier to handle and more professionally presented, it will hopefully save you a snarky email or comment from a mixer!
One of our sound effects editors, Ben, was faced with a unique challenge recently. He needed to create 8-bit video game style sound design for one of our shows. Now if you don’t know what 8-bit video games are, check out this example I grabbed from Youtube showing a few popular games under this genre. It makes me want to play some video games right now... that is besides the point, though, so let’s dive right into what he created!
If you’re a sound editor, then you know how important having a good sound library is. Not only is it important to have a well rounded library but it is also necessary to continue adding to it. I’d like to introduce you to a fantastic web based sound library called Soundsnap. This website is great for editors of all experience levels and since we’re getting close to the holidays, it could be a great gift! Check it out below.
At this point, we are deep into quarantine and if you are like me, you are struggling to find things to keep you entertained at home. I am tired of torturing myself looking at cooking videos and constantly being hungry! So, that leaves me wanting to make a fun sound quiz for you all. Not too long ago, Tim created a quiz where you guess what sound something is and it was a big hit! The crazy thing about sound effects is that the sound you think something is, is NOT always right. Enjoy below!
Whether I’m working on a Halloween special or just a spooky scene, I often find myself needing to make scary vocals. There are so many ways to achieve a haunting voice, but I’m going to talk about a few tools that I like to use. To get started, you need four plugins and a vocal recording. This can be laughing, a spooky saying, or even an elongated breath.
It can be both an exciting and terrifying feeling being a new editor. On one hand, you are thrilled to start editing on a project! On the other hand, you don’t know where to begin…I interviewed a few editors on our team who know exactly how you’re feeling and can give you some insight on their editorial approach.