You’d be surprised just how “quiet” raw gunshot recordings can sound without any processing. When played back dry, the recordings sound like weak little pops, lacking detail and punch. But with some basic processing, we can turn those thin pops into powerful, rich, cinema-ready gunshot sound effects.
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compression
As sound editors, it's crucial that we approach our edits with the mixer's needs in mind. In previous posts we’ve covered how to deliver clean, organized edits to help streamline the mixing stage. But what about processing to remove additional steps for our mixer? In this post, I’ll share simple but effective techniques to tidy up your sound editorial without causing a headache for the mixer down the line.