As sound editors, speaking about sound design with clients requires a kind of foreign language. I often find myself making silly noises in an effort to either interpret what a client is looking for or to pitch an idea of my own. There’s a shorthand however, that both editor and filmmaker are aware of. An entire language has been laid out for us in the incredible work of sound designers past. I’m talking about films that are ‘in the canon’ for having memorable sound design moments.
Viewing entries tagged
sound for film
This past fall, I took part in a panel put together by Soundgirls, and hosted by Sony Studios, called Career Paths in Film and TV Sound. This was a kickass panel with audio professionals from all different backgrounds, with all different backstories and insights, who are at the top of their game. And our careers are just getting started. We talked about what drew us to the sound profession in the first place. We talked about working our way up with unerring drive and determination from the machine room, the tape vault, the intern desk. We talked about staying all night to observe mixers and read manuals. This was a panel about tenacity. And it just happened to be led by women.